Compositions

All tunes recorded one day in 2003. Flute used was a fully keyed boxwood Rudall & Rose in concert pitch (D). The playing is a bit suspect on some of the tunes as I was a bit wrecked towards the end of the day. These recordings were made for Andy Morrow/Tony O’Connell so that they could evaluate some new tunes for a forthcoming CD (due out July 2004). Only one tune made onto the CD but there may be something here for somebody out there. All tunes are copyright Tom McElvogue and may not be downloaded and distributed without my permission. If for some strange reason you want to use the samples below, please contact me by email to discuss further. I can be reached at tom@tommcelvogue.com.

A number of the above tunes have actually made it to the open and been recorded commercially. I have detailed the CD’s below for information. If you know of tunes appearing anywhere else I would appreciate an email to let me know.

Thank you to Maarten Marchau for the sheet music transcriptions.

Jigs 11 and 12 are new additions and as such I don’t have any sheet music yet. When I get around to writing them up I will update accordingly. In addition to the compositions listed here there are a number on my new CD which I haven’t got around to recording separately for this listing. They are as follows – One slip Jig (Track 02 – Tom McElvogue’s Slip Jig 01), Two Jigs (Track 03 – Tom McElvogue’s Jig in G 09 & Track 5 – Tom McElvogue’s Jig in D 10). Feel free to listen to the track previews or purchase a CD if you feel so inclined!

There are also another couple of dozen tunes that were composed throughout my life but for whatever reason I never got to organise or record. I will be making an effort to get these up on the website over the next six months (time permitting).

A number of compositions ranging back to the early 1980′s.

These are a number of CD’s commercially available containing some of these compositions.

CD Title

Track

Track Details

The Kathryn Tickell Band

Track 2, 4th tune

Out on the Ocean/The Cacodemon/Coast of Austria/Thomas McElvogue's No.1

Track 5, 1st and 3rd tunes

Thomas McElvogue's No.2/Cuckold Come Out of the Amrey/Thomas McElvogue's No.3

The Best of Kathryn Tickell

CD2 Track 7, 1st and 3rd tunes

Thomas McElvogue's No.2/Cuckold Come Out of the Amrey/Thomas McElvogue's No.3

Vin Garbutt - 'Plugged!'

Track 6, 2nd tune

THE BIRK BROW JIG (Garbutt)/THOMAS McELVOGUE'S JIG

Cara - 'In Full Swing - live DVD'

Track 8, 1st tune

Tom McElvogue's No. 3 / The Flying Sofa / Good Morning, Squirrel / The Millbridge Reel

Cara - 'In Between Times'

Track 2, 1st tune

Tom McElvogue's No. 3 / The Flying Sofa / Good Morning, Squirrel / The Millbridge Reel

More Maids - 'Mary Is Busy... Too Busy to Marry'

Track 6, 2nd tune

Niall Keegan's / Thomas McElvogue's / Andy Renwick's Ferret

More Maids: Live

Track 11, 2nd tune

Niall Keegan's / Thomas McElvogue's / Andy Renwick's Ferret

Seána Traditional Irish Harp - Seana Davey

Track 10, 1st tune

Tom McElvogue's, The Woods of Old Limerick

Peter Mcalinden With Pete Quin - Happy To Meet, Sorry To Part

Track 7, 3rd tune

The Mist Covered Mountain/Health to the Ladies/Tom McElvogue's

Claire Mann and Aaron Jones - Secret Orders

Track 1, 2nd tune

Flowers of Brooklyn/McElvogue's R#6/Highest Hill in Sligo

Harriet Earis - Jumping Ahead

Track 4, 2nd tune

The Mathematician hornpipe, McElvogue’s, The End of Christmas

Tony O'Connell & Andy Morrow

Track 4, 2nd tune

Tom McElvogue's no. 3 / The Heights of Muingbhartha / The Boy in the Boat

Tom McConville - Tommy on the Bridge

Track 12, 1st tune

Thomas McElvogue's/ Paddy O'Rafferty

Cé – Cé

Track 5, 3rd tune

Ernestine Healy's/Timmy Clifford's/Tom McElvogue's/Mimi and the New Generation/Cúchulainn 8:2

From a Distant Shore - Irish Traditional Music from Donegal, England, America & Cape Breton Island

CD 4, Track 5, 1st tune

Tom McElvogue's - Jig, New Irish Barndance, Untitled - Reel

A Taste of Ireland, Traditional Irish Music

Track 3, 1st tune

Tom McElvogue's - Jig, New Irish Barndance, Untitled - Reel

Across The Waters - Irish Traditional Music from England

Track 5, 1st tune

Tom McElvogue's - Jig, New Irish Barndance, Untitled - Reel

Flook – Flatfish

Track 9, 4th tune

Flutopia   Munera de Casa, Gavotenn bro. Dardoup, Macedonian Oro, Thomas McIlvogue’s

FYACE – Ian Carr, Karen Tweed

Track 4, 4th tune

Christmas Christmas day in the morning, skymningspolskan, reel madrid, thomas mcelvogue’s no 5

Niall Keegan – Don’t Touch the Elk

Track 6, 1st and 3rd tune

Tom McElvogue’s Jig, Hardy’s Jig, Tom McElvogue’s Other Jig

Kevin Crawford – In Good Company

Track 2, 2nd tune

Young Tom Ennis, The Mouse in the Mug

Sin É

Track 7, 2nd tune

Reels for Luke (2nd reel in this medley - uncredited on CD - this is reel 01 above)

The New Anthology of Music

CD4, Track 19

Tom McElvogue's - Jig, New Irish Barndance

An old recording of me playing the Prattens F flute for a Comhaltas Tour recording. At the time of this recording, my left leg was in plaster having torn the ligaments in my knee a day earlier. One take and therefore a bit rough around the edges. Drones by Padraig Donlon and Harp by Kim Fleming. An Irish Interlude, 1988 Track 1 – The First House in Connacht, Top of the Dresser (the thrush in the storm), Touch Me if Dare

These compositional pieces represent my recent endeavours into composition, orchestration and recording. (July 2011-Current)

After spending some time through trial and error trying to write orchestral arrangements/compositions, I realised how much I don’t know about the formal structures of music. These compositions are my attempts at going back to basics to try and write simple binary form compositions with single voice counterpoint. They are for the most part very wrong (structurally and musically) and I am really only sharing these in order to document my learning progress. I haven’t given up on the traditional music as such however I do find that I probably lack in much of the formal musical education that most musician’s may take for granted these days and it is important for me to understand more about this (albeit a little late in the day). I hope you don’t mind the shoddy piano playing and the poor first attempts but hopefully things should improve over time!

As part of my learning experience with midi sampling and formal composition and arrangement, I have started a number of reconstructions of orchestral music realised using the Vienna Symphonic Library of music samples. Very early days in this work but as with most of the other material here, this is still a work in progress which will hopefully provide some enjoyment/interest.